Archive for the ‘Music’ Category

Freeing Your Digital Content Pays

Tuesday, October 18th, 2011
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According to a recent study by Rice and Duke Universities, the best way to combat music piracy is to give up combating it in any formal manner, such as via digital rights management systems. Steve Jobs said of iTunes,

“Why would the big four music companies agree to let Apple and others distribute their music without using DRM systems to protect it? The simplest answer is because DRMs haven’t worked, and may never work, to halt music piracy.”

Researchers Dinah Vernik, Devavrat Purohit, and Preyas Desai used,

“…analytical modeling to examine how piracy is influenced by the presence or absence of DRM restrictions.

They found that while these restrictions make piracy more costly and difficult, the restrictions also have a negative impact on legal users who have no intention of doing anything illegal.

Because a DRM-restricted product will only be purchased by a legal user, …”only the legal users pay the price and suffer from the restrictions,” the study said. “Illegal users are not affected because the pirated product does not have DRM restrictions.”

“In many cases, DRM restrictions prevent legal users from doing something as normal as making backup copies of their music,” said Vernik, assistant professor of marketing at Rice’s Jones Graduate School of Business. “Because of these inconveniences, some consumers choose to pirate.”

The research challenges conventional wisdom that removal of DRM restrictions increases piracy levels; the study shows that piracy can actually decrease when a company allows restriction-free downloads.”

This makes intuitive sense to me, but many musicians and artists balk at the idea of not protecting their property as well as how they will ever make money as artists. Of course, that was my next question, so how does anyone make The Money?”

“Removal of these restrictions makes the product more convenient to use and intensifies competition with the traditional format (CDs), which has no DRM restrictions,” Vernik said. “This increased competition results in decreased prices for both downloadable and CD music and makes it more likely that consumers will move from stealing music to buying legal downloads.”

Detroit Hip Hop Artists Capitalize on Social Networks

Monday, January 31st, 2011

You have heard from Hubert Sawyers III on this blog before and this time he is telling the story about a hip hop artist he is working with personally to build a grassroots campaign to fund his debut album via Kickstarter. From “Progress Report: Using Social Capital to Generate Startup Capital,”

When I first met David Allie Strauss aka D. Allie, I was not aware that he would become someone that I would be in constant contact with years down the road. Back then, D. was just another dude that I would share the occasional microphone. I have since retired my dreams of hip hop supremacy, but I am glad to see Dave still at it. He has impressed me with his growing cachet from years of performing, bartending and overall hustle to make his dream a reality. As a former brother-in-the-struggle in the realm of music, I realize music is mainly seen as just entertainment to the end-user and most artists aka entertainers rarely have the end-user in mind. These days, me and D. are on the verge of becoming business partners, mainly because he understands the end-user aka YOU are his boss(es). (Emphasis mine.)

Ah, if only every artist thought like this. It is important to embrace the fact that your audience is your customer, and your customer is your boss. Your job is to make them feel special, wanted, needed, (and if you are Justin Bieber), loved.

I met Dallie a year or two ago at a Tweetup as well as seeing him around town and I remember him distinctly, mostly because he was a nice person. He remembered me and bothered to take time to chat. Maybe he was thinking ahead, maybe he knew, two years ago, the importance of social capital, maybe the fact that he did not blow me off like a lot of cooler-than-though artists do is the reason I donated to his Kickstarter campaign and genuinely want to see him succeed.

Maybe? Absolutely.

A common theme I see creeping up in arts blogs as well as conversations “in the field” is a very us vs. them mentality. From the tone of the writing to the ideas expressed, there is very little that makes me want to be a part of the arts community online, despite the fact that I have every reason in the world to be wholly invested: I consider myself an artist, I come from a family of fine artists, musicians, composers, dancers, and actresses, and uh, I write a blog dedicated to the arts. And to be perfectly honest, most art blogs turn me off. There is so much complaining, so much name-calling, so much blaming for the state of affairs the arts are in, and little responsibility, little genuine community-building, and little problem-solving. (I may be missing something – so please, leave links in the comments.)

So, when I see this project, from someone I’ve met, who was nice to me, who isn’t a complainer…but a doer…I’m all about it, and you should be too.

The Detroit Symphony Orchestra to Be Funded Via Taxpayers?

Friday, November 26th, 2010

A state representative in Michigan, and former professional singer proposes a tri-county (Oakland, Wayne, Macomb) vote to use taxes to support the Detroit Symphony Orchestra.

[Vicki] Barnett said the DSO is an endangered cultural gem that adds to the region’s quality of life and can help attract new businesses.

She said she was asked by DSO musicians who live in her district to consider a public tax to keep the orchestra viable and competitive with other major U.S. symphony orchestras.

I’m just curious, how many other orchestras are funded with tax dollars? I’m assuming this is not uncommon.

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Music Fix: Stevie Wonder, Live in Brazil 1971

Thursday, July 29th, 2010

Today I decided to import my entire CD collection to iTunes, and it is proving to be quite the musical trip down memory lane. I have also been YouTubing my favorites to see if I could find any gems and I came across this great version of Stevie Wonder’s “Never Dreamed You’d Leave in Summer” performed live in Brazil in 1971. Just have a listen.

 
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